updating texlive - Martin guitar dating system

There were plain-looking guitars for musicians (which often have surprisingly good tone quality and power), and ordinary household guitars for students.There was a great variety of construction technique and design.

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Most guitars of this era have lost their label and are identified by estimating their country of origin and time period, based on design characteristics of other labeled, known dated guitars.

It often helps the resale value of the guitar to pay for a written appraisal.

Fernando Sor mentions several builders in his "Method for the Spanish Guitar" English Translation of 1836, published by Tecla Editions: "Mr. Panormo made some guitars under my direction, as well as Mr. In the goodness of the body or box, the Neapolitan guitars in general long surpassed, in my opinion, those of France and Germany; but that is not the case at present, and if I wanted an instrument, I would procure it from M. Lacote, a French maker, the only person who, besides his talents, has proved to me that he possesses the quality of not being inflexible to reasoning...

The photo left is a period Fabricatore, and the others are reproductions of originals by luthier Bernhard Kresse.

These are prime examples of the main early 19th century guitar styles: Italian, Viennese, French, and Spanish.

Only the most famous builders from the earliest 6-string guitar through the 19th century are discussed on this page.This site presents only the most rudimentary basics of the topic.There were numerous 19th century builders, in fact probably hundreds of luthiers.For many of these makers, perhaps only a handful or even only 1 guitar survives.Just like today, some builders made expensive, highly-prized concert guitars, while other makers made cheap household guitars, and every level inbetween.Some makers achieved great playing guitars with tremendous power and tone, while others made ornate instruments for social graces.

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